05-24-2013, 02:13 PM
[Moodish post set Saturday 5/25/13 @ Lola. Damon's traveling so don't look for a post from him! Damon, I will add another post re: the rest of the conversation (aka, the point of it all) later, when inspiration strikes. ]
It is Saturday. They meet for brunch at Lola. The invitation came via text, rather late one weekday night the week past. Too late to be working; likely too late to catch the rancher who must be up at dawn before he went to sleep. So he found it the next morning, a very simple -
Have news. We should talk. Brunch Saturday?
Some handful of hours after an affirmative reply, confirmation -
Lola @ 10:00 a.m.
- and nothing more.
--
This time, Éva is there before Calden arrives, seated not on the crowded outdoor patio, but inside the restaurant, at a rather private table well out of the way of the usual crowd. One leg crossed, her attention snagged by the tablet she holds in front of her with a careful precision. Awareness of her surroundings is written into the frame of her body, the alert posture, but she is absorbed by her work and does not see him until he is close, the hostess leading him through the maze of tables chatting pleasantly about the weather and the day's specials.
And when she sees him, she stands. Chair sliding backwards with the movement of her hips, tucking the tablet neatly down on the dark table. There is an echo of his own manner there, which seems as ingrained in her behavior as it is in his, arrived at through different avenues. Look, she does not assist him with his chair, under any guise, but simply extends her hand to him across the table, her dark head tilted, her fine mouth smoothing into a wry, contained half-smile.
"Mr. White." A perfect tincture of irony shades her tone.
A single golden bracelet slides down her forearm as they shake hands. Then she releases his hand and reclaims her seat as he claims his own.
--
Truth, they have little in common, and their small-talk is like to be as banal as the exchange he shared with the hostess over the weather. Éva already has a chili-infused bloody Mary on the table. While drinks are ordered, menus distributed, specials explained, she recommends that he try one. With tequila, not vodka. Or, no. Perhaps he should try the "Ultimate" bloody, which will arrived with its own virtual meal stacked atop the drink skewered through. This recommendation, bland as it is, nevertheless has the feel of a challenge.
There is a certain lift to her chin. A certain sharpening of expressive brows over dark eyes, which gleam with a banked but oddly feral humor.
She is dressed rather more casually on the first Saturday of a holiday weekend than she was on a Friday evening, at the workweek's end. Jeans and dark, open-toed sandals with a slight wedge heel. A V-necked silk blouse or shell, ivory rather than white, with some sort of hand-worked detail where the hem curves at her hips - but still, there is this - a three-quarter sleeved jacket. The shape is menswear inspired, the fabric a heathered, dark charcoal with very subtle pinstripes. The jacket is well-fitted but not body-skimming, and although it is perfectly pleasant inside Lola - she will not remove the blazer throughout their brunch.
During that first flurry of activity at the table, the conversation remains light. She re-awakens the tablet and scrolls through her camera roll, finds and shows him a particular picture. A hallway, the impression of a Persian runner on a hardwood floor and a mahogany console table to one side. Children's shoes tumbled in a mass beneath it, and a glimpse of a toddler in the distance, who is not the focus of the picture.
The focus is a girl, eight or nine or ten, standing framed by the wall and a rising stairwell, proudly showing off her new cowboy boots. With heels to hook onto stirrups, thick enough leather to protect her ankles from rattlers, and just enough tooling to make a solemn little kid stick out one hip sharply and pose like that. Like there was nothing better in the world than what was on her feet at just that moment.
They are not pink.
"She wanted them for riding lessons," Éva reports, voice infused with the dry tone of a defeated parent. " - but wanted to be sure she had the boots before she requested the lessons. Ellie likes to be prepared."
Then, later, the waitress removing their menus (she orders an oyster shooter and the rock shrimp ceviche), she appends, with a rather more somber mien. "Though I think this will not be the summer of riding lessons."
--
And so, waitstaff retreats.
And so, the conversation changes.
After all, this is not a social call.
It is Saturday. They meet for brunch at Lola. The invitation came via text, rather late one weekday night the week past. Too late to be working; likely too late to catch the rancher who must be up at dawn before he went to sleep. So he found it the next morning, a very simple -
Have news. We should talk. Brunch Saturday?
Some handful of hours after an affirmative reply, confirmation -
Lola @ 10:00 a.m.
- and nothing more.
--
This time, Éva is there before Calden arrives, seated not on the crowded outdoor patio, but inside the restaurant, at a rather private table well out of the way of the usual crowd. One leg crossed, her attention snagged by the tablet she holds in front of her with a careful precision. Awareness of her surroundings is written into the frame of her body, the alert posture, but she is absorbed by her work and does not see him until he is close, the hostess leading him through the maze of tables chatting pleasantly about the weather and the day's specials.
And when she sees him, she stands. Chair sliding backwards with the movement of her hips, tucking the tablet neatly down on the dark table. There is an echo of his own manner there, which seems as ingrained in her behavior as it is in his, arrived at through different avenues. Look, she does not assist him with his chair, under any guise, but simply extends her hand to him across the table, her dark head tilted, her fine mouth smoothing into a wry, contained half-smile.
"Mr. White." A perfect tincture of irony shades her tone.
A single golden bracelet slides down her forearm as they shake hands. Then she releases his hand and reclaims her seat as he claims his own.
--
Truth, they have little in common, and their small-talk is like to be as banal as the exchange he shared with the hostess over the weather. Éva already has a chili-infused bloody Mary on the table. While drinks are ordered, menus distributed, specials explained, she recommends that he try one. With tequila, not vodka. Or, no. Perhaps he should try the "Ultimate" bloody, which will arrived with its own virtual meal stacked atop the drink skewered through. This recommendation, bland as it is, nevertheless has the feel of a challenge.
There is a certain lift to her chin. A certain sharpening of expressive brows over dark eyes, which gleam with a banked but oddly feral humor.
She is dressed rather more casually on the first Saturday of a holiday weekend than she was on a Friday evening, at the workweek's end. Jeans and dark, open-toed sandals with a slight wedge heel. A V-necked silk blouse or shell, ivory rather than white, with some sort of hand-worked detail where the hem curves at her hips - but still, there is this - a three-quarter sleeved jacket. The shape is menswear inspired, the fabric a heathered, dark charcoal with very subtle pinstripes. The jacket is well-fitted but not body-skimming, and although it is perfectly pleasant inside Lola - she will not remove the blazer throughout their brunch.
During that first flurry of activity at the table, the conversation remains light. She re-awakens the tablet and scrolls through her camera roll, finds and shows him a particular picture. A hallway, the impression of a Persian runner on a hardwood floor and a mahogany console table to one side. Children's shoes tumbled in a mass beneath it, and a glimpse of a toddler in the distance, who is not the focus of the picture.
The focus is a girl, eight or nine or ten, standing framed by the wall and a rising stairwell, proudly showing off her new cowboy boots. With heels to hook onto stirrups, thick enough leather to protect her ankles from rattlers, and just enough tooling to make a solemn little kid stick out one hip sharply and pose like that. Like there was nothing better in the world than what was on her feet at just that moment.
They are not pink.
"She wanted them for riding lessons," Éva reports, voice infused with the dry tone of a defeated parent. " - but wanted to be sure she had the boots before she requested the lessons. Ellie likes to be prepared."
Then, later, the waitress removing their menus (she orders an oyster shooter and the rock shrimp ceviche), she appends, with a rather more somber mien. "Though I think this will not be the summer of riding lessons."
--
And so, waitstaff retreats.
And so, the conversation changes.
After all, this is not a social call.
But my heart is wild and my bones are steel
And I could kill you with my bare hands if I was free.
- Phosphorescent, Song for Zula
And I could kill you with my bare hands if I was free.
- Phosphorescent, Song for Zula